Articles – David Carrier

RECENT

“Who Holds the Power in Art?,” Hyperallergic https://hyperallergic.com/766125/who-holds-the-power-in-art-farah-nayeri-takedown/, November 6, 2022.

“The 58th Carnegie International: Is it morning for you yet?,” The Brooklyn Rail https://brooklynrail.org/2022/11/artseen/Is-it-morning-for-you-yet, November 2022.

“How to Save the Public Art Museums (A modest proposal!),” CounterPunch https://www.counterpunch.org/2022/11/18/how-to-save-the-public-art-museums-a-modest-proposal/, November 18, 2022.

“Art World Life: Learning from Jerry Saltz’s Art is life,” CounterPunch https://www.counterpunch.org/2022/11/11/art-world-life-learning-from-jerry-saltzs-art-is-life/, November 11, 2022.

“Beyond Caravaggio: A New Account of Neapolitan Painting,” The Brooklyn Rail https://brooklynrail.org/2022/11/artseen/Beyond-Caravaggio-a-new-account-of-Neapolitan-painting, November 2022.

“The Imitation Game: Visual Culture in the Age of Artificial Intelligence,” Border Crossings Volume 41, Number 2: Issue on Documentary: “HERE’S LOOKING AT YOU”, October 2022: 163-164.

“Jamie Earnest: Good Mourning,” The Brooklyn Rail https://brooklynrail.org/2022/10/artseen/Jamie-Earnest-Good-Mourning, October 2022.

“A Modest Proposal for Curators of Survey Art Exhibitions,” CounterPunch https://www.counterpunch.org/2022/10/28/a-modest-proposal-for-curators-of-survey-art-exhibitions/, October 28, 2022.

“Why Art Museums are Changing,” CounterPunch https://www.counterpunch.org/2022/09/23/why-art-museums-are-changing/, September 23, 2022.

“What Happens when Culture is too Expensive?,” CounterPunch https://www.counterpunch.org/2022/09/30/what-happens-when-culture-is-too-expensive/, September 30, 2022.

“Why Black American Art Matters Right Now,” CounterPunch https://www.counterpunch.org/2022/08/26/why-black-american-art-matters-right-now/, August 26, 2022.

“Looking Anew at a Strange Matisse Masterpiece,” Hyperallergic https://hyperallergic.com/755590/looking-anew-at-a-strange-matisse-masterpiece/, August 24, 2022.

“Sean Scully’s Abstract Paintings Have Stories to Tell ,” Hyperallergic https://hyperallergic.com/745927/sean-scullys-abstract-paintings-have-stories-to-tell/, July 7, 2022.

“Nora Turato: Govern Me Harder,” The Brooklyn Rail https://brooklynrail.org/2022/07/artseen/Nora-Turato-Govern-Me-Harder1, July 2022.

“Jacques Louis David: Radical Draftsman,” Border Crossings Volume 41, Number 1: HUMAN/NATURE, May 2022.

“Warren Rohrer,” The Brooklyn Rail https://brooklynrail.org/2022/05/artseen/Warren-Rohrer, May 2022.

“Debra Bricker Balken’s Harold Rosenberg: A Critic’s Life,” The Brooklyn Rail https://brooklynrail.org/2022/05/books/Debra-Bricker-Balkens-Harold-Rosenberg-A-Critics-Life, May 2022.

“The Contradictions of the Contemporary Art Museum,” CounterPunch https://www.counterpunch.org/2022/04/27/the-contradictions-of-the-contemporary-art-museum/, April 27, 2022.

“Frédéric Bruly Bouabré: World Unbound,” The Brooklyn Rail https://brooklynrail.org/2022/04/artseen/Frdric-Bruly-Bouabr-World-Unbound, April 2022.

“An Artist’s Monument to the Monotony of Images,” Hyperallergic https://hyperallergic.com/723774/an-artists-monument-to-the-monotony-of-images/, April 13, 2022.

“What Can We Learn From Italy’s Early Leftist Modernists?,” Hyperallergic https://hyperallergic.com/719261/what-can-we-learn-from-italys-early-leftist-modernists/, March 23, 2022.

“Painting that Exhilarates the Eye and Mind,” Hyperallergic https://hyperallergic.com/714377/painting-that-exhilarates-the-eye-and-mind/, March 3, 2022.

“The African Origin of Civilization,” The Brooklyn Rail https://brooklynrail.org/2022/03/artseen/The-African-Origin-of-Civilization, March 2022.

“ Nuestra Casa: Rediscovering the Treasures of The Hispanic Society Museum & Library,” The Brooklyn Rail https://brooklynrail.org/2022/03/artseen/Nuestra-Casa-Rediscovering-the-Treasures-of-The-Hispanic-Society-Museum-Library, March 2022.

“Shikō Munakata: A Way of Seeing,” The Brooklyn Rail https://brooklynrail.org/2022/02/artseen/Shik-Munakatas-A-Way-of-Seeing, February 2022.

“Philosophy of Aesthetics That’s Actually Fun to Read,” Hyperallergic https://hyperallergic.com/708558/philosophy-of-aesthetics-thats-actually-fun-to-read/, February 3, 2022.

“Jane Freilicher & Thomas Nozkowski: True Fictions,” The Brooklyn Rail https://brooklynrail.org/2022/02/artseen/Jane-Freilicher-Thomas-Nozkowskis-True-Fictions, February 2022.

“How Can Museums Break Away From White Privilege?,” Hyperallergic https://hyperallergic.com/702016/how-can-museums-break-away-from-white-privilege/, February 27, 2022.

“The Transcendent Power of Black in Norman Lewis’s Abstractions,” Hyperallergic https://hyperallergic.com/704199/the-transcendent-power-of-black-in-norman-lewis-abstractions/, January 5, 2022.

“The Magnificent Abstractions of Alma Thomas,” Hyperallergic https://hyperallergic.com/705393/the-magnificent-abstractions-of-alma-thomas/, January 12, 2022.

“Boris Lurie’s Search for Historical Truth in Trauma,” Hyperallergic https://hyperallergic.com/707579/boris-luries-search-for-historical-truth-in-trauma/, January 26, 2022.

“Paul Klee’s Angelus Novus,” Border Crossings Volume 40, Number 3: The Body, January 2022: 122.

“Rethinking Kandinsky,” Hyperallergic https://hyperallergic.com/699716/rethinking-kandinsky/, December 23, 2021.

“Jeff Wall,” The Brooklyn Rail https://brooklynrail.org/2021/12/artseen/Jeff-Wall-2, December 2021.

“Does A Pairing With Warhol Do Marisol Any Favors?,” Hyperallergic https://hyperallergic.com/696423/does-a-pairing-with-warhol-do-marisol-any-favors/, December 9, 2021.

“A Philosopher-Painter for Troubled Times,” Hyperallergic https://hyperallergic.com/702067/judith-bernstein-philosopher-painter-for-troubled-times/, December 30, 2021.

“Elizabeth Murray & Jessi Reaves: Wild Life,” The Brooklyn Rail https://brooklynrail.org/2021/11/artseen/Elizabeth-Murray-Jessi-Reaves-Wild-Life, November 2021.

“Ron Gorchov’s Art of the Here and Now,” Hyperallergic https://hyperallergic.com/687327/ron-gorchov-spice-of-life/, October 28, 2021.

“Kon Trubkovich: The Antepenultimate End,” The Brooklyn Rail https://brooklynrail.org/2021/10/artseen/Kon-Trubkovich-The-Antepenultimate-End-Carrier, October 2021.

“Tomashi Jackson Rediscovers Long Island’s Beleaguered Past,” Hyperallergic https://hyperallergic.com/675184/tomashi-jackson-rediscovers-long-islands-beleaguered-past/, September 15, 2021.

“How War Shaped Afghanistan’s Weaving Traditions,” Hyperallergic https://hyperallergic.com/676809/how-war-shaped-afghanistans-weaving-traditions/, September 30, 2021.

“In Henry Taylor’s Paintings, the Past Bleeds Into the Present,” Hyperallergic https://hyperallergic.com/665893/henry-taylor-paintings-past-bleeds-into-present-hauser-and-wirth/, July 31, 2021.

“Border Crossings,” The Brooklyn Rail https://brooklynrail.org/2021/07/artseen/Border-Crossings1, July 2021.

“The People's MoMA,” artcritical https://artcritical.com/2021/06/05/david-carrier-on-the-moma-protests/, 5 June, 2021.

“A Deep Dive Into Walter Benjamin,” Hyperallergic https://hyperallergic.com/650613/a-deep-dive-into-walter-benjamin-by-fredric-jameson/, June 5, 2021.

Paul Rodgers, “The Modern Aesthetic”
Molly Warnock, “Simon Hantaï and the Reserves of Painting”
Paul Rodgers, “Pablo Picasso | Simon Hantaï: Drama Shared, Cubism and the Fold”
caa.reviews, April 13, 2021

“Liliane Tomasko: We Sleep Where We Fall,” The Brooklyn Rail https://brooklynrail.org/2021/04/artseen/Liliane-Tomasko-We-Sleep-Where-We-Fall, April 2021.

“Grief and Grievance: Art and Mourning in America,” The Brooklyn Rail https://brooklynrail.org/2021/03/artseen/Grief-and-Grievance-Art-and-Mourning-in-America, March 2021.

“The Asia Society Triennial,” The Brooklyn Rail https://brooklynrail.org/2021/02/artseen/Asia-Society-Triennial, February 2021.

“Aby Warburg’s Bilderatlas Mnemosyne,” The Brooklyn Rail https://brooklynrail.org/2021/02/art_books/Aby-Warburgs-Bilderatlas-Mnemosyne, February 2021.

“A Tattoo Artist’s History of Tattoos,” Hyperallergic https://hyperallergic.com/623571/henk-schiffmacher-tattoo-artist/, February 27, 2021.

“Rembrandt's Orient,” The Brooklyn Rail https://brooklynrail.org/2021/02/artseen/Rembrandts-Orient-West-Meets-East-in-Dutch-Art-of-the-Seventeenth-Century, February 2021.

“What a Painter Taught Me,” Hyperallergic https://hyperallergic.com/615541/francesco-polenghi-death-in-milan/, January 23, 2021.

“Sue Coe: It Can Happen Here,” The Brooklyn Rail https://brooklynrail.org/2020/11/artseen/Sue-Coe-It-Can-Happen-Here, November 2020.

“Luca Giordano: The Triumph of the Neapolitan Painting,” The Brooklyn Rail https://brooklynrail.org/2020/11/artseen/Luca-Giordano-The-triumph-of-the-Neapolitan-painting, November 2020.

“History According to the Comic Book,” Hyperallergic https://hyperallergic.com/600675/history-according-to-the-comic-book/, November 14, 2020.

“Diversity Billboard Art Project,” The Brooklyn Rail https://brooklynrail.org/2020/11/artseen/Diversity-Billboard-Art-Project, November 2020.

“The Meanings of Minimalist Memorials,” Hyperallergic https://hyperallergic.com/596681/in-memory-of-designing-contemporary-memorials-by-spencer-bailey/, October 24, 2020.

“Where Does a Work of Art Belong?,” Hyperallergic https://hyperallergic.com/585876/heritage-and-debt-art-in-globalization-by-david-joselit/, September 5, 2020.

“The End of Art History,” Hyperallergic https://hyperallergic.com/589404/the-end-of-art-history/, September 26, 2020.

“Isaac Aden: Vespers and Auroras,” The Brooklyn Rail https://brooklynrail.org/2020/09/artseen/Isaac-Aden-Vespers-and-Auroras, September 2020.

“Banksy: A Visual Protest,” The Brooklyn Rail https://brooklynrail.org/2020/09/artseen/Banksy-A-Visual-Protest, September 2020.

“Artemisia,” The Brooklyn Rail https://brooklynrail.org/2020/09/artseen/Artemisia-Gentileschi-Artemisia, September 2020.

“The Lives of the Art Museum,” Hyperallergic https://hyperallergic.com/582163/cabinet-of-curiosities-massimo-listri-taschen/, August 15, 2020.

“The Art World We Have Lost,” Hyperallergic https://hyperallergic.com/579431/the-art-world-we-have-lost/, August 1, 2020.

“Rosie Lee Tompkins: A Retrospective,” The Brooklyn Rail https://brooklynrail.org/2020/07/artseen/Rosie-Lee-Tompkins-A-Retrospective, July 2020.

“Félix Fénéon: Critic, Collector, Anarchist,” Hyperallergic https://hyperallergic.com/575628/felix-feneon-critic-collector-anarchist/, July 11, 2020.

“A Mural Rises in Pittsburgh,” Hyperallergic https://hyperallergic.com/577121/a-mural-rises-in-pittsburgh/, July 18, 2020.

“The Prophecies of Deborah Kass,” Hyperallergic https://hyperallergic.com/570229/the-prophecies-of-deborah-kass/, June 13, 2020.

“The Moral Complexity of War Games,” Hyperallergic https://hyperallergic.com/572762/an-my-le-moral-complexity-of-war-games/, June 27, 2020.

“When Philosophy and Art Intersect,” Hyperallergic https://hyperallergic.com/559392/when-philosophy-and-art-intersect/, May 2, 2020.

“The Work of Art in the Age of the Internet,” Hyperallergic https://hyperallergic.com/563938/the-work-of-art-in-the-age-of-the-internet/, May 16, 2020.

“Talking About Art Now,” Hyperallergic https://hyperallergic.com/566909/talking-about-art-now-hal-foster/, May 30, 2020.

“Rashid Johnson: Untitled Anxious Red Drawings,” The Brooklyn Rail https://brooklynrail.org/2020/05/artseen/Rashid-Johnson-Untitled-Anxious-Red-Drawings, May 2020.

“RICHARD BRETTELL with David Carrier,” The Brooklyn Rail https://brooklynrail.org/2020/05/art/RICHARD-BRETTELL-with-David, May 2020.

“Peter Saul,” The Brooklyn Rail https://brooklynrail.org/2020/05/artseen/Peter-Saul, May 2020.

“When a Square Is Not Just a Square,” Hyperallergic https://hyperallergic.com/551687/when-a-square-is-not-just-a-square-sean-scully/, April 4, 2020.

“The Quality of Mercy, From Caravaggio to Conceptual Art,” Hyperallergic https://hyperallergic.com/553789/the-quality-of-mercy-from-caravaggio-to-conceptual-art/, April 11, 2020.

“When Disaster Can’t Be Pictured,” Hyperallergic https://hyperallergic.com/547860/when-disaster-cant-be-pictured/, March 21, 2020.

“PIERRE ROSENBERG with Joachim Pisarro and David Carrier,” The Brooklyn Rail https://brooklynrail.org/2020/03/art/PIERRE-ROSENBERG-with-Joachim-Pisarro-and-David-Carrier, March 2020.

“Color Field, Then and Now,” Hyperallergic https://hyperallergic.com/546060/color-field-then-and-now/, March 7, 2020.

“A Close, Dazzling Look at Michelangelo’s Painting,” Hyperallergic https://hyperallergic.com/543328/michelangelos-painting-selected-essays-by-leo-steinberg/, March 14, 2020.

“Sahel: Art and Empires on the Shores of the Sahara,” The Brooklyn Rail https://brooklynrail.org/2020/03/artseen/Sahel-Art-and-Empires-on-the-Shores-of-the-Sahara, March 2020.

“Taking Appropriation Too Far,” Hyperallergic https://hyperallergic.com/543547/troy-brauntuch-a-strange-new-beauty-at-petzel-gallery/, February 22, 2020.

“Sculpting With Light, Drawing With Shadow,” Hyperallergic https://hyperallergic.com/544893/christopher-wilmarth-craig-f-starr-gallery/, February 29, 2020.

“Kehinde Wiley Seizes the Throne,” Hyperallergic https://hyperallergic.com/542135/jacques-louis-david-meets-kehinde-wiley-at-the-brooklyn-museum-of-art/, February 15, 2020.

“Jake Berthot’s Nowhere Land,” Hyperallergic https://hyperallergic.com/541060/jake-berthot-betty-cuningham-gallery/, February 8, 2020.

“Do the Old Masters Still Speak to Us?,” Hyperallergic https://hyperallergic.com/539655/charles-ray-and-the-hill-collection-at-the-hill-art-foundation/, February 1, 2020.

“Acquired on eBay (and from other surrogate sources),” The Brooklyn Rail https://brooklynrail.org/2020/02/artseen/Acquired-on-eBay-and-from-other-surrogate-sources, February 2020.

“When the Exhibition Becomes a Work of Art,” Hyperallergic https://hyperallergic.com/535498/food-at-yoshii-gallery/, January 11, 2020.

“Ernst Ludwig Kirchner, Painter of Modern Anxiety,” Hyperallergic https://hyperallergic.com/535382/ernst-ludwig-kirchner-at-neue-galerie/, January 4, 2020.

“The Endlessly Inventive Jörg Immendorff,” Hyperallergic https://hyperallergic.com/534993/the-endlessly-inventive-jorg-immendorff/, December 28, 2019.

“Sofonisba Anguisola and Lavinia Fontana: A Tale of Two Women Painters,” The Brooklyn Rail https://brooklynrail.org/2019/12/artseen/Sofonisba-Anguisola-and-Lavinia-Fontana-A-Tale-of-Two-Women-Painters, December 2019.

“El Greco, Modernist Hero,” Hyperallergic https://hyperallergic.com/531424/el-greco-modernist-hero/, December 7, 2019.

“Ron Gorchov: At the Cusp of the 80s, Paintings 1979–1983,” The Brooklyn Rail https://brooklynrail.org/2019/11/artseen/Ron-Gorchov-At-the-Cusp-of-the-80s-Paintings-19791983, November 2019.

“CAROL SZYMANSKI with David Carrier,” The Brooklyn Rail https://brooklynrail.org/2019/11/art/CAROL-SZYMANSKI-with-David-Carrier, November 2019.

“Are We Prepared to Look Seriously at de Chirico?,” Hyperallergic https://hyperallergic.com/529551/de-chirico-palazzo-reale/, November 23, 2019.

“Andy Warhol Dreams of God,” Hyperallergic https://hyperallergic.com/525286/andy-warhol-revelation-at-the-warhol-museum/, November 2, 2019.

“Twenty Years of Peter Schjeldahl,” Hyperallergic https://hyperallergic.com/521725/twenty-years-of-peter-schjeldahl/, October 12, 2019.

“Pierre Soulages, Extreme Painter at 100,” Hyperallergic https://hyperallergic.com/522567/pierre-soulages-extreme-painter-at-100/, October 19, 2019.

“A Richard Serra Thought Experiment,” Hyperallergic https://hyperallergic.com/524294/a-richard-serra-thought-experiment/, October 26, 2019.

“The Liberating Power of Conversations About Art,” Hyperallergic https://hyperallergic.com/517292/the-liberating-power-of-conversations-about-art/, September 14, 2019.

“The Aesthetics of Ugliness,” Hyperallergic https://hyperallergic.com/517918/the-aesthetics-of-ugliness/, September 21, 2019.

“The Trouble with Renoir’s Nudes,” Hyperallergic https://hyperallergic.com/511548/the-trouble-with-renoirs-nudes/, August 3, 2019.

“The Rarities and Oddities of a Vanished World,” Hyperallergic https://hyperallergic.com/513001/the-rarities-and-oddities-of-a-vanished-world/, August 24, 2019.

“The Mega-Dealers Who Ate the Art World,” Hyperallergic https://hyperallergic.com/513074/the-mega-dealers-who-ate-the-art-world/, August 17, 2019.

“Is George Herriman the Greatest American Visual Artist?,” Hyperallergic https://hyperallergic.com/512766/is-george-herriman-the-greatest-american-visual-artist/, August 10, 2019.

“Broaching the Subject of Beauty,” Hyperallergic https://hyperallergic.com/512987/broaching-the-subject-of-beauty/, August 31, 2019.

“Reconciling Secular Art in Sacred Spaces,” Hyperallergic https://hyperallergic.com/510079/reconciling-secular-art-in-sacred-spaces/, July 20, 2019.

“Navigating the Overload at the Venice Biennale,” Hyperallergic https://hyperallergic.com/508099/navigating-the-overload-at-the-venice-biennale/, July 6, 2019.

“Luc Tuymans’s Moral Distance,” Hyperallergic https://hyperallergic.com/509127/luc-tuymanss-moral-distance/, July 13, 2019.

“Frankenthaler: History Returns to Venice,” The Brooklyn Rail https://brooklynrail.org/2019/07/artseen/Frankenthaler-History-Returns-to-Venice, July 2019.

“A Tribute to Thomas Nozkowski,” The Brooklyn Rail https://brooklynrail.org/2019/07/in-memoriam/A-Tribute-to-Tom-Nozkowski, July 2019.

“Arshile Gorky 1904-1948,” The Brooklyn Rail https://brooklynrail.org/2019/07/artseen/Arshile-Gorky-1904-1948, July 2019.

“Remembering Lawrence Carroll, an American Artist in Europe,” Hyperallergic https://hyperallergic.com/502959/remembering-lawrence-carroll-an-american-artist-in-europe/, June 1, 2019.

“Excavating Mark Rothko’s Theatrical Foundations,” Hyperallergic https://hyperallergic.com/506318/excavating-mark-rothkos-theatrical-foundations/, June 22, 2019.

“Confronting Art Critics With Their Own Portraits,” Hyperallergic https://hyperallergic.com/507133/confronting-art-critics-with-their-own-portraits/, June 29, 2019.

“Surfboards, Skateboards, and the Question of Art,” Hyperallergic https://hyperallergic.com/500816/surfboards-skateboards-and-the-question-of-art/, May 18, 2019.

“Elstir's Harbor at Carquethuit,” The Brooklyn Rail https://brooklynrail.org/2019/05/criticspage/Elstirs-Harbor-at-Carquethuit, May 2019.

“A Japanese Classic, Dimly Illuminated,” Hyperallergic https://hyperallergic.com/501655/a-japanese-classic-dimly-illuminated/, May 25, 2019.

“The Radical Proposition of Dan Robbins,” Hyperallergic https://hyperallergic.com/494690/the-radical-proposition-of-dan-robbins/, April 14, 2019.

“Is It Beautiful, or Is It Art?,” Hyperallergic https://hyperallergic.com/495773/aesthetics-at-large-volume-one-art-ethics-politics-thierry-de-duve-university-of-chicago-press-2018/, April 20, 2019.

“Sean Scully’s Figurative Leap,” Hyperallergic https://hyperallergic.com/488561/sean-scullys-figurative-leap/, March 9, 2019.

“Art of the Russian Revolution, Through Contemporary Eyes,” Hyperallergic https://hyperallergic.com/486591/victory-over-the-sun-russian-avant-garde-and-beyond-israel-museum/, March 2, 2019.

“The 1980s in New York,” Hyperallergic https://hyperallergic.com/484211/nothing-is-lost-selected-essays-of-ingrid-sischy-vile-days-the-village-voice-art-columns-1985-1988-knopf-doubleday-semiotexte-bruce-hainley-2018/, February 16, 2019.

“Rochelle Feinstein: Image of an Image,” The Brooklyn Rail https://brooklynrail.org/2019/02/artseen/Rochelle-Feinstein-Image-of-an-Image, February 2019.

“The Met’s Wrong Turn on Revisionism,” Hyperallergic https://hyperallergic.com/478825/epic-abstraction-pollock-to-herrara-the-metropolitan-museum-of-art/, January 12, 2019.

“Learning from an Art Bastard,” Hyperallergic https://hyperallergic.com/478428/robert-cendella-art-bastard/, January 4, 2019.

“The Emergence of a Brash Young Painter,” Hyperallergic https://hyperallergic.com/474467/devan-shimoyama-cry-baby-the-andy-warhol-museum/, December 8, 2018.

“John Houck: Holding Environment,” The Brooklyn Rail https://brooklynrail.org/2018/12/artseen/John-Houck-Holding-Environment, December 2018.

“Harvey Quaytman: Against the Static,” The Brooklyn Rail https://brooklynrail.org/2018/12/artseen/Harvey-Quaytman-Against-the-Static, December 2018.

“Deconstructing Race in Western Painting,” Hyperallergic https://hyperallergic.com/473124/posing-modernity-the-black-model-from-manet-and-matisse-to-today-miriam-and-ira-d-wallach-art-gallery-columbia-university/, December 1, 2018.

“The Challenges of Fashion in a Museum,” Hyperallergic https://hyperallergic.com/471639/contemporary-muslim-fashions-de-young-museum/, November 17, 2018.

“René Magritte’s Bad Paintings,” Hyperallergic https://hyperallergic.com/469174/rene-magritte-the-fifth-season-san-francisco-museum-of-modern-art/, November 3, 2018.

“Carnegie International, 57th Edition,” The Brooklyn Rail https://brooklynrail.org/2018/11/artseen/Carnegie-International-57th-Edition, November 2018.

“Adrian Piper in Her Own Words,” Hyperallergic https://hyperallergic.com/470351/adrian-piper-escape-to-berlin-2018/, November 10, 2018.

“What Do Art Critics Actually Do?,” Hyperallergic https://hyperallergic.com/466591/what-it-means-to-write-about-art-interviews-with-art-critics-jarrett-earnest-david-zwirner-books-2018/, October 20, 2018.

“Intimate Infinite: Imagine a Journey,” The Brooklyn Rail https://brooklynrail.org/2018/10/artseen/Intimate-Infinite-Imagine-a-Journey, October 2018.

“BARBARA DAWSON & SEAN RAINBIRD with David Carrier & Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2018/10/art/BARBARA-DAWSON-SEAN-RAINBIRD-with-David-Carrier-Joachim-Pissarro, October 2018.

“The Importance of Being Delacroix,” Hyperallergic https://hyperallergic.com/461270/devotion-to-drawing-the-karen-b-cohen-collection-of-eugene-delacroix-metropolitan-museum-of-art/, September 29, 2018.

“Starry Starry Knight: Malcolm Morley at Sperone Westwater,” artcritical https://artcritical.com/2018/09/27/david-carrier-on-malcolm-morley/, 27 September, 2018.

“"Right There, Looking": Brian O'Doherty's Collected Essays,” artcritical https://artcritical.com/2018/09/12/david-carrier-on-brian-odoherty/, 12 September, 2018.

“Connoisseurship Is Not a Dirty Word,” Hyperallergic https://hyperallergic.com/458332/the-eye-philippe-costamagna-new-vessel-press-2018/, September 2, 2018.

“Who Really Owns the Elgin Marbles?,” Hyperallergic https://hyperallergic.com/454162/patricia-vigderman-the-real-life-of-the-parthenon-mad-creek-books-2018/, August 4, 2018.

“The Divergence of Art and Fashion at the Metropolitan Museum,” Hyperallergic https://hyperallergic.com/450868/heavenly-bodies-fashion-and-the-catholic-imagination-at-the-metropolitan-museum-of-art/, July 14, 2018.

“The Art of a Fired Cartoonist,” Hyperallergic https://hyperallergic.com/450916/the-art-of-a-fired-cartoonist/, July 21, 2018.

“‘Flesh is the reason oil paint was invented’: Chaim Soutine at the Jewish Museum,” artcritical https://artcritical.com/2018/07/13/david-carrier-on-chaim-soutine/, 13 July, 2018.

“Sweet, Gritty, Impossible Naples,” Hyperallergic https://hyperallergic.com/449658/daniel-rothbart-seeing-naples-reports-from-the-shadow-of-vesuvius-edgewise-press-2018/, July 8, 2018.

“DEBORAH NAJAR with Joachim Pissarro and David Carrier,” The Brooklyn Rail https://brooklynrail.org/2018/07/art/DEBORAH-NAJAR-with-Joachim-Pissarro-and-David-Carrier, July 2018.

“Landscape into Eco Art: Articulations of Nature Since the ’60s,” The Brooklyn Rail https://brooklynrail.org/2018/06/art_books/Landscape-into-Eco-Art-Articulations-of-Nature-Since-the-60s-Penn-State-University-Press-2018, June 2018.

“A Scrambling of Clues: Paul Resika, Geometry and the Sea,” artcritical https://artcritical.com/2018/05/16/david-carrier-on-paul-resika/, 16 May, 2018.

“DOUG AITKEN: New Era,” The Brooklyn Rail https://brooklynrail.org/2018/05/artseen/Doug-Aitken-New-Era, May 2018.

“Visions of Order and Chaos: The Enlightened Eye,” The Brooklyn Rail https://brooklynrail.org/2018/05/artseen/Visions-of-Order-and-Chaos-The-Enlightened-Eye, May 2018.

“SYLVAIN BELLENGER with David Carrier and Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2018/04/art/SYLVAIN-BELLENGER-with-David-Carrier-and-Joachim-Pissarro, April 2018.

“The Museum Reimagined: “Carta Bianca” at Museo di Capodimonte,” artcritical https://artcritical.com/2018/03/27/david-carrier-in-naples/, 27 March, 2018.

“Giorgio Morandi: Late Paintings ,” The Brooklyn Rail https://brooklynrail.org/2018/04/art_books/Giorgio-Moranidi-Late-Paintings, April 2018.

“SEAN SCULLY with David Carrier,” The Brooklyn Rail https://brooklynrail.org/2018/03/art/SEAN-SCULLY-with-David-Carrier, March 2018.

“The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe,” artcritical https://artcritical.com/2018/02/10/david-carrier-on-kathe-kollwitz-and-sue-coe/, 10 February, 2018.

“VANESSA GERMAN,” The Brooklyn Rail https://brooklynrail.org/2018/02/artseen/VANESSA-GERMAN, February 2018.

“GEORG BASELITZ: 1977-1992,” The Brooklyn Rail https://brooklynrail.org/2018/02/artseen/Georg-Baselitz-1977-1992, February 2018.

“E. H. Gombrich and Leonardo: The Role of Scientific Psychology in Art History,” Leonardo, 51, 3 (2018): 222.

“The Ideal Site: Graham Nickson at Betty Cuningham,” artcritical https://artcritical.com/2017/12/15/david-carrier-on-graham-nickson/, 15 December, 2017.

“Shoja Azari at Occupy Mana,” artcritical https://artcritical.com/2017/12/19/shoja-azari-occupy-mana/, 19 December, 2017.

“RICHARD SERRA: Sculpture and Drawings,” The Brooklyn Rail https://brooklynrail.org/2017/12/artseen/Richard-Serra-Sculpture-and-Drawings-Carrier, December 2017.

“Dispelled Illusions: Kenny Scharf takes on Color Field,” artcritical https://artcritical.com/2017/11/23/david-carrier-on-kenny-scharf/, 23 November, 2017.

“A new monograph on Thomas Nozkowski by John Yau,” artcritical https://artcritical.com/2017/11/02/david-carrier-on-thomas-nozkowski-%EF%BB%BFby-john-yau/, 2 November, 2017.

“JOAN BROWN,” The Brooklyn Rail https://brooklynrail.org/2017/11/artseen/Joan-Brown, November 2017.

“From Mao to Matisse: Claude Viallat in New York,” artcritical https://artcritical.com/2017/09/02/david-carrier-on-claude-viallat/, 2 September, 2017.

“OKWUI ENWEZOR with David Carrier & Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2017/09/art/Okwui-Enwezor-with-David-Carrier-Joachim-Pissarro, September 2017.

“THE 57TH VENICE BIENNALE: Viva arte Viva,” The Brooklyn Rail https://brooklynrail.org/2017/07/artseen/The-57th-Venice-Biennale-Viva-arte-Viva, July 2017.

“CHANTAL JOFFE,” The Brooklyn Rail https://brooklynrail.org/2017/07/artseen/CHANTAL-JOFFE, July 2017.

“City as Museum: Mimmo Rotella at Gladstone,” artcritical https://artcritical.com/2017/05/10/city-museum-mimmo-rotella-gladstone/, 10 May, 2017.

“Thelma Golden with Joachim Pissarro and David Carrier,” The Brooklyn Rail https://brooklynrail.org/2017/05/art/Thelma-Golden, May 2017.

“Hard-Edge Happiness: The Paintings of Harvey Quaytman,” artcritical https://artcritical.com/2017/04/18/david-carrier-on-harvey-quaytman/, 18 April, 2017.

“To Organize Delirium: Five Installations by Hélio Oiticica,” artcritical https://artcritical.com/2017/03/15/david-carrier-on-helio-oiticica/, 15 March, 2017.

“Postwar: A Revisionist Vision from Munich,” artcritical https://artcritical.com/2017/02/07/david-carrier-on-postwar-at-haus-der-kunst/, 7 February, 2017.

“A Natural-Born Storyteller: The Writings of Sean Scully,” artcritical https://artcritical.com/2017/02/23/david-carrier-on-sean-scullys-writings/, 23 February, 2017.

“Serial Bowls: The Still Life Paintings of Guggi,” artcritical https://artcritical.com/2017/01/05/david-carrier-on-guggi/, 5 January, 2017.

“The Story of Leonardo. One Author’s Perspective,” Leonardo, 50, 3 (2017): 253-4.

“Erik Schmidt,” King Kong 2 (2016): 178.

“Allen Jones’s ‘Chair’,” King Kong 1( 2016): 85.

“Robert Mangold: A Survey, 1965 – 2003,” The Brooklyn Rail https://brooklynrail.org/2017/03/artseen/Robert-Mangold-A-Survey-1956-2003, March 2017.

“Zao Wou-Ki No Limits,” The Brooklyn Rail https://brooklynrail.org/2016/12/artseen/zao-wou-ki-no-limits, December 2016.

“Vive La Revolution,” artcritical https://artcritical.com/2016/11/08/david-carrier-on-art-and-politics/, 8 November, 2016.

“SALLY MANN Remembered Light: Cy Twombly in Lexington,” The Brooklyn Rail https://brooklynrail.org/2016/11/artseen/sally-mann-remembered-light-cynbsptwombly-innbsplexington, November 2016.

“A Passionate Visual Idiom: Carmen Herrera at the Whitney,” artcritical https://artcritical.com/2016/10/20/david-carrier-on-carmen-herrera/, 20 October, 2016.

“Terrestrial Studio: Dennis Oppenheim at Storm King,” artcritical https://artcritical.com/2016/09/20/david-carrier-on-dennis-oppenheim/, 20 September, 2016.

“Landscape of the Self: Adele Tutter on Philip Johnson’s Glass House,” artcritical https://artcritical.com/2016/09/01/david-carrier-on-adele-tutter-and-philip-johnson/, 1 September, 2016.

“Andy Warhol & Ai Weiwei,” The Brooklyn Rail https://brooklynrail.org/2016/07/artseen/andy-warhol-ai-weiwei, July 2016.

“DAVID REED / THORNTON WILLIS,” The Brooklyn Rail https://brooklynrail.org/2016/06/artseen/david-reed-thornton-willis, June 2016.

“Speculative Modernism: Robert Irwin at the Hirshhorn,” artcritical https://artcritical.com/2016/05/11/david-carrier-on-robert-irwin/, 11 May, 2016.

“Marianne Vitale at Contemporary Fine Art, Berlin at Frieze,” artcritical https://artcritical.com/2016/05/07/frieze-week-pick-day-marianne-vitale-contemporary-fine-art-berlin-frieze/, 7 May, 2016.

“NASREEN MOHAMEDI,” The Brooklyn Rail https://brooklynrail.org/2016/05/artseen/nasreen-mohamedi, May 2016.

“Poet, Printer, Prankster: Marcel Broodthaers in Retrospect,” artcritical https://artcritical.com/2016/04/07/david-carrier-on-marcel-broodthaers/, 7 April, 2016.

“Perceptual Inventory: A New Anthology by Barry Schwabsky,” artcritical https://artcritical.com/2016/04/11/david-carrier-on-barry-schwabsky/, 11 April, 2016.

“Late Medieval Panel Paintings II: Materials, Methods, Meanings,” The Brooklyn Rail https://brooklynrail.org/2016/04/artseen/late-medieval-panel-paintings-ii-materials-methods-meanings, April 2016.

“In the Beginning was the Image: Julian Bell and Archie Rand Paint the Bible,” artcritical https://artcritical.com/2016/02/24/david-carrier-on-julian-bell-and-archie-rand/, 24 February, 2016.

“An Awesome Pursuit of Variety: Martha Diamond's Little Pictures,” artcritical https://artcritical.com/2016/02/20/david-carrier-on-martha-diamond/, 20 February, 2016.

“FRANCIS BACON Late Paintings,” The Brooklyn Rail https://brooklynrail.org/2016/02/artseen/francis-bacon-late-paintings, February 2016.

“Secret World: The Art of Martin Wong,” artcritical https://artcritical.com/2016/01/31/david-carrier-on-martin-wong/, 31 January, 2016.

“A Very Short History of Poussin Interpretation,” Source 35, 1-2 (Winter 2016): 69-80.

“Mark Tansey: Spinner,” Gagosian (February-April 2016): 148-53.

“Seeing What Sticks: Doron Langberg & Gaby Collins-Fernandez,” artcritical https://artcritical.com/2015/12/21/david-carrier-on-doron-langberg-gaby-collins-fernandez/, 21 December, 2015.

“Angelus Novus Anew: R.H. Quatyman's Chapter 29,” artcritical https://artcritical.com/2015/11/11/david-carrier-on-r-h-quaytman/, 11 November, 2015.

“An Art of Plenitude: American Still Life in Philadelphia,” artcritical https://artcritical.com/2015/11/28/david-carrier-on-american-still-life/, 28 November, 2015.

“The Blind Spots of Art History: How Wild Art Came to Be -and Be Ignored,” Friday, October 9, 2015. Link: PDF

“Naked at the Edge: Louis Eilshemius and Bob Thompson,” The Brooklyn Rail https://brooklynrail.org/2015/11/artseen/naked-at-the-edge-louis-eilshemius-and-bob-thompson, November 2015.

“Accidentally on Purpose: Bill Beckley at Albertz Benda,” artcritical https://artcritical.com/2015/10/03/david-carrier-on-bill-beckley/, 3 October, 2015.

“Hilma af Klint and the Spiritual in an Artist,” artcritical https://artcritical.com/2015/09/09/david-carrier-on-hilma-af-klint/, 9 September, 2015.

“SEAN SCULLY Different Places,” The Brooklyn Rail https://brooklynrail.org/2015/09/artseen/sean-scully-different-places, September 2015.

“Pearlstein/Warhol/Cantor: From Pittsburgh to New York,” The Brooklyn Rail https://brooklynrail.org/2015/07/artseen/pearlstein-warhol-cantor, July 2015.

“RICHARD ESTES Painting New York City,” The Brooklyn Rail https://brooklynrail.org/2015/06/artseen/richard-estes-painting-new-york-city, June 2015.

“Arthur Ou,” The Brooklyn Rail https://brooklynrail.org/2015/06/artseen/arthur-ou, June 2015.

“Untitled,” Sean Scully: Bricklayer of the Soul, ed. Kelly Grovier (Ostfildern: Hatje Cantz Verlag, 2015): 20-21.

“Untitled,” The Order of Things (Philadelphia: The Barnes Foundation, 2015): 28.

“Bill and I”: A Sentimental Memoir for Bill Berkson,” For Bill, ANYTHING: Images and Text for Bill Berkson, eds. Jarrett Earnest and Isabelle Sorrell (Brooklyn: Pressed Wafer, 2015): 35-9.

“Loom of Origins: Bill Jensen's Way of Developing,” artcritical https://artcritical.com/2015/05/05/david-carrier-on-bill-jensen/, 5 May, 2015.

“Teaching contemporary art history in China,” Journal of Contemporary Chinese Art 1, 2&3 (2015): 297-307.

“GLENN LOWRY with Joachim Pissarro, Gaby Collins-Fernandez, and David Carrier,” The Brooklyn Rail https://brooklynrail.org/2015/05/art/glenn-lowry-with-joachim-pissarro-gaby-collins-fernandez-and-david-carrier, May 2015.

“Poussin et Dieu,” The Brooklyn Rail https://brooklynrail.org/2015/05/artseen/poussin-et-dieu, May 2015.

“Making Art, and Making It Well: Two Recent Group Shows,” artcritical https://artcritical.com/2015/04/03/david-carrier-on-freedman-nyss/, 3 April, 2015.

“Always a Painter: Lawrence Carroll in Bologna,” artcritical https://artcritical.com/2015/04/20/david-carrier-on-lawrence-carroll/, 20 April, 2015.

“In the Studio: Photographs In the Studio: Paintings,” The Brooklyn Rail https://brooklynrail.org/2015/04/artseen/in-the-studio-photographs-in-the-studio-paintings, April 2015.

“Madame Cézanne,” The Brooklyn Rail https://brooklynrail.org/2015/03/artseen/madame-czanne, March 2015.

“Pop History: Jiri Georg Dokoupil's Modernist Bubbles,” artcritical https://artcritical.com/2015/02/25/david-carrier-on-jiri-georg-dokoupil/, 25 February, 2015.

“Notes from NOLA: Two Shows in New Orleans,” artcritical https://artcritical.com/2015/02/16/david-carrier-on-new-orleans/, 16 February, 2015.

“Other Stories: Chris Ofili at the New Museum,” artcritical https://artcritical.com/2015/01/31/other-stories-chris-ofili-at-the-new-museum/, 31 January, 2015.

“Be Wild and Obey: Shepard Fairey in Naples,” artcritical https://artcritical.com/2015/01/13/david-carrier-on-shepard-fairey/, 13 January, 2015.

“LILIANE TOMASKO Into the Darkness,” The Brooklyn Rail https://brooklynrail.org/2014/12/artseen/liliane-tomasko-into-the-darkness, December 2014.

“ALANNA HEISS with David Carrier and Joachim Pissarro, with the assistance of Gaby Collins-Fernandez,” The Brooklyn Rail https://brooklynrail.org/2014/12/art/alanna-heiss, December 2014.

“ROBERT GOBER The Heart is Not a Metaphor,” The Brooklyn Rail https://brooklynrail.org/2014/11/artseen/robert-gober-the-heart-is-not-a-metaphor, November 2014.

“Total Work of Art: "Spaced Out" at Red Bull Studios,” artcritical https://artcritical.com/2014/10/21/david-carrier-on-spaced-out/, 21 October, 2014.

“Back to Eden: Contemporary Artists Wander the Garden,” The Brooklyn Rail https://brooklynrail.org/2014/10/artseen/back-to-eden-contemporary-artists-wander-the-garden, October 2014.

“Snips and Snaps: Harry Roseman's Haircuts at Sacha & Olivier,” artcritical https://artcritical.com/2014/09/24/david-carrier-on-harry-roseman/, 24 September, 2014.

“Jeff Koons: Split-Rocker at Rockefeller Center,” artcritical https://artcritical.com/2014/09/11/david-carrier-on-jeff-koons/, 11 September, 2014.

“MIKHAIL PIOTROVSKY with David Carrier & Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2014/09/art/mikhael-piotrovsky-with-david-carrier-joachim-pissarro, September 2014.

“A Dispatch from ‘Manifesta 10’,” artcritical https://artcritical.com/2014/08/25/carrier-manifesta-10/, 25 August, 2014.

“SIR NORMAN ROSENTHAL with David Carrier and Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2014/07/art/sir-norman-rosenthal-with-david-carrier-and-joachim-pissarro, July 2014.

“RYAN CONRAD SAWYER,” The Brooklyn Rail https://brooklynrail.org/2014/07/artseen/ryan-conrad-sawyer, July 2014.

“Outside the Box: David Carrier on the Legacy of Shaped Canvases,” artcritical https://artcritical.com/2014/06/18/shaped-canvases/, 18 June, 2014.

“Pontormo and Rosso Fiorentino: Diverging Paths of Mannerism,” The Brooklyn Rail https://brooklynrail.org/2014/06/artseen/pontormo-and-rosso-fiorentino-diverging-paths-of-mannerism, June 2014.

“The Painterly and the Linear: Shirley Kaneda and Robert Mangold,” artcritical https://artcritical.com/2014/05/10/david-carrier-on-shirley-kaneda-and-robert-mangold/, 10 May, 2014.

“PHILIPPE DE MONTEBELLO with David Carrier and Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2014/05/art/philippe-de-montebello-with-david-carrier-and-joachim-pissarro, May 2014.

“Jennifer Bornstein, Judith Bernstein, and Frances Stark,” The Brooklyn Rail https://brooklynrail.org/2014/05/artseen/jennifer-bornstein-judith-bernstein-frances-stark, May 2014.

“Ready for Revival: Germaine Richier’s Figurative Sculptural Fantasies,” artcritical https://artcritical.com/2014/04/12/david-carrier-on-germaine-richier/, 12 April, 2014.

“Too Sincere To Be Ironical: Eric Fischl, Bad Boy,” artcritical https://artcritical.com/2014/03/16/eric-fischl-bad-boy/, 16 March, 2014.

“The Art of the Chart: Loren Munk at Freight + Volume,” artcritical https://artcritical.com/2014/03/13/david-carrier-on-loren-munk/, 13 March, 2014.

“Art Theory/Art Writing,” The Brooklyn Rail https://brooklynrail.org/2014/02/criticspage/art-theoryart-writing, February 2014.

“Small Museum for Brave Art,” ed. Jeffrey Grove Michaél Borremans: As Sweet as it gets (Ostfildern: Hatje Cantz Verlag, 2014), 258.

“Painting as Signal Box: Merlin James in Berlin,” artcritical https://artcritical.com/2013/12/03/david-carrier-on-merlin-james-in-berlin/, 3 December, 2013.

“MASSIMILIANO GIONI with David Carrier and Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2013/12/art/massimiliano-gioni-with-david-carrier-and-joachim-pissarro, December 2013.

“CHRISTOPHER WOOL and SEAN SCULLY,” The Brooklyn Rail https://brooklynrail.org/2013/12/artseen/christopher-wool-and-sean-scully, December 2013.

“Secular Exhilerations: Gregory Amenoff and Nature,” artcritical https://artcritical.com/2013/11/17/david-carrier-on-gregory-amenoff/, 17 November, 2013.

“A Perfect Friendship: Remembering Arthur Danto,” artcritical https://artcritical.com/2013/11/06/david-carrier-on-arthur-danto/, 6 November, 2013.

“Street Art Brazil,” The Brooklyn Rail https://brooklynrail.org/2013/11/artseen/street-art-brazil, November 2013.

“Too Smart To Be Caught In A System: Barry Schwabsky’s Words for Art,” artcritical https://artcritical.com/2013/10/11/barry-schwabsky/, 11 October, 2013.

“Old Forms For New Uses: William Kentridge at Marian Goodman and the Met,” artcritical https://artcritical.com/2013/10/21/william-kentridge-2/, 21 October, 2013.

Warhol Museum Blog: http://blog.warhol.org/museum/arthur-danto-on-andy-warhols-brillo-box/31 October 2013

‘Indiscernibles and the Essence of Art: The Hegelian Turn in Arthur Danto’s Aesthetic Theory,” The Library of Living Philosophers. Volume XXXIII. The Philosophy of Arthur C. Danto (Chicago: Open Court, 2013): 215-28.

“JEFFREY DEITCH with David Carrier and Joachim Pissarro,” The Brooklyn Rail https://brooklynrail.org/2013/10/art/jeffrey-deitch-with-david-carrier-and-joachim-pissarro, October 2013.

“Punk: Chaos to Couture,” The Brooklyn Rail https://brooklynrail.org/2013/09/artseen/punk-chaos-to-couture, September 2013.

“Calligraphy, Meet Graffiti: Calligraffiti at Leila Heller Gallery,” artcritical https://artcritical.com/2013/09/16/calligraffiti-at-leila-heller/, 16 September, 2013.

“Et in Pittsburgh Ego: Figment,” artcritical https://artcritical.com/2013/08/22/andy-warhol-figment/, 22 August, 2013.

“Elective Affinities: Alfonso Ossorio and his Masterful Friends,” artcritical https://artcritical.com/2013/08/01/pollock-ossorio-dubuffet/, 1 August, 2013.

“The Artist and the Archive: Neil Jenney at Gagosian,” artcritical https://artcritical.com/2013/07/20/neil-jenney/, 20 July, 2013.

“Sacred and Profane Machines: Michael Landy at the National Gallery, London,” artcritical https://artcritical.com/2013/07/30/michael-landy/, 30 July, 2013.

“Art Criticism That Made A Difference,” The Brooklyn Rail https://brooklynrail.org/2013/05/artseen/art-criticism-that-made-a-difference, May 2013.

“The Early Developmental Stage: A Dialogue on the Contemporary Chinese Art World with Author Karen Smith,” artcritical https://artcritical.com/2013/04/13/karen-smith/, 13 April, 2013.

“The Contemporary Art Gallery,” The Brooklyn Rail https://brooklynrail.org/2013/04/editorsmessage/the-contemporary-art-gallery, April 2013.

“Visually Self-Evident: Al Held’s Alphabet Paintings at Cheim & Read,” artcritical https://artcritical.com/2013/03/26/al-held-alphabet-paintings/, 26 March, 2013.

“Thomas McEvilley, 1939-2013,” artcritical https://artcritical.com/2013/03/03/thomas-mcevilley/, 3 March, 2013.

“Looking/Reading/Writing,” The Brooklyn Rail https://brooklynrail.org/2013/03/artseen/lookingreadingwriting, March 2013.

“In Search of the Mutable: Peter Soriano at Lennon Weinberg,” artcritical https://artcritical.com/2013/02/23/peter-sorian/, 23 February, 2013.

“David Salle 24/7: A Show at Lever House,” artcritical https://artcritical.com/2013/02/12/david-salle-at-lever-house/, 12 February, 2013.

“MATISSE In Search of True Painting,” The Brooklyn Rail https://brooklynrail.org/2013/02/artseen/matisse-in-search-of-true-painting, February 2013.

“Frank Stella’s Styles,” arte al limite November-December, 2012: 52-7, reprinted in ALLIMITE: 10 anos de arte contemporáneo (Santiago: 2013): 366-71.

“The World Art History Museum,” sztuka I filozofia 42/2013: 79-85.

“Ken Johnson's Burden,” artcritical https://artcritical.com/2012/12/05/ken-johnson-continued/, 5 December, 2012.

“An Extreme Painter: Eugène Leroy at Michael Werner,” artcritical https://artcritical.com/2012/12/22/eugene-leroy/, 22 December, 2012.

“A Maze and Grace: Alan Shields takes Color Field for a Walk,” artcritical https://artcritical.com/2012/12/18/alan-shields/, 18 December, 2012.

“JOSEF SUDEK The Legacy of a Deeper Vision,” The Brooklyn Rail https://brooklynrail.org/2012/12/artseen/josef-sudek-the-legacy-of-a-deeper-vision, December 2012.

“The New Barnes Foundation Museum,” The Brooklyn Rail https://brooklynrail.org/2012/11/artseen/the-new-barnes-foundation-museum, November 2012.

“What if…? Gutai, Japan’s New York School,” artcritical https://artcritical.com/2012/10/05/gutai/, 5 October, 2012.

“Touring Yuzi Paradise Art Park, Guilin, China,” Curator: The Art Museum Journal 55, 4 (October 2012): 409-12.

With Joachim Pissarro, “How Modernism revolutionized taste. But left the art world prone to the judgments of the few,” The Art Newspaper 239 (October 2012): 21.

“Surface Truths and Surface Tensions,” ArtUS 2012: 25-35.

“Seeing Blindness NICOLAS POUSSIN, ‘Blind Orion Searching for the Rising Sun’,” The Brooklyn Rail https://brooklynrail.org/2012/09/artseen/seeing-blindness-nicolas-poussin-blind-orion-searching-for-the-rising-sun, September 2012.

“Sweeney Guards the Horned Gates: International Abstraction and the Guggenheim,” artcritical https://artcritical.com/2012/09/26/abstraction-at-the-guggenheim/, 26 September, 2012.

“Abstraction Goes Underground: The Painting Factory at LA MoCA,” artcritical https://artcritical.com/2012/09/04/the-painting-factory/, 4 September, 2012.

“A Triumphant Survivor: The Ink Paintings of Wu Guanzhong,” artcritical https://artcritical.com/2012/08/15/wu-guanzhong/, 15 August, 2012.

“‘Desire Causes the Current to Flow’: André Masson’s Innovations in Taste,” artcritical https://artcritical.com/2012/06/06/andre-masson/, 6 June, 2012.

“How Capitalism Functions: Carol Syzmanski at Guided by Invoices,” artcritical https://artcritical.com/2012/05/21/carol-szymanski/, 21 May, 2012.

“What is a Comic? A Brief Sketch of a New Answer to that Old Question,” (Christian Bachmann Verlag: Essen, 2012).

“Art and National Identity: Some Museums in Prague,” Curator 55/2 (April 2012): 227-32.

“The Abstract Paintings of Jacqueline Humphries,” artcritical https://artcritical.com/2012/04/28/jacqueline-humphries/, 28 April, 2012.

“From Rags to… Found Boots, Gloves and Soda Cans: The Richness of Thornton Dial,” artcritical https://artcritical.com/2012/04/07/thornton-dial/, 7 April, 2012.

“‘A Pure and Remote View’: James Cahill on Scholarship and the Web,” artcritical https://artcritical.com/2012/03/31/james-cahill/, 31 March, 2012.

“Working Space 1600: Shows in Rome of Guercino, Caravaggio and their Contemporaries,” artcritical https://artcritical.com/2012/03/17/working-space-1600-shows-in-rome-of-guercino-caravaggio-and-their-contemporaries/, 17 March, 2012.

“Its a Gray Old World: Grisaille at Luxembourg & Dayan,” artcritical https://artcritical.com/2012/02/03/grisaille/, 3 February, 2012.

“Looking to Poussin: Bob Thompson's Drawings,” artcritical https://artcritical.com/2011/12/29/bob-thompson/, 29 December, 2011.

“Caravaggio: James Dean of Baroque Painters,” artcritical https://artcritical.com/2011/12/12/andrew-graham-dixon-caravaggio/, 12 December, 2011.

“Art at Christmas: Fernando Botero, Elija-Liisa Ahtila, Ludwig Blum,” artcritical https://artcritical.com/2011/12/22/botero-ahtila-blum/, 22 December, 2011.

“Roundtable on Cattelan’s ALL at the Guggenheim,” artcritical https://artcritical.com/2011/12/01/maurizio-cattelan/, December 1, 2011.

“Development Issues: Georges Braque at Acquavella Galleries,” artcritical https://artcritical.com/2011/11/10/braque/, 10 November, 2011.

“Forums in Motion: The Guangzhou Triennial,” artcritical https://artcritical.com/2011/10/26/guangzhou-triennial/, 26 October, 2011.

“China Modernism/Harvard Semiotics,” artcritical https://artcritical.com/2011/09/21/gao-minglu/, 21 September, 2011.

“Abstract Expressionism Is Alive and Well in Denmark,” artcritical https://artcritical.com/2011/09/23/per-kirkeby/, 23 September, 2011.

“Passage to Postmodernity: Paris-Delhi-Bombay,” artcritical https://artcritical.com/2011/08/03/paris-delhi-bombay/, 3 August, 2011.

“Are You Experienced? Ken Johnson on Psychedelic Consciousness,” artcritical https://artcritical.com/2011/07/09/pyschedelic-consciousness/, July 9, 2011.

“Swanning Around Ahead of the Oscars: Three Shows in LA,” artcritical https://artcritical.com/2011/04/23/la/, 23 April, 2011.

“Too absorbed by the future to bother about the past: Robert Rauschenberg,” artcritical https://artcritical.com/2011/03/23/rauschenber/, 23 March, 2011.

“Leo Steinberg, 1920-2011,” artcritical https://artcritical.com/2011/03/16/steinberg/, 16 March, 2011.

“Abstract Painting Under Wraps: David Hammons at L&M Arts,” artcritical https://artcritical.com/2011/02/24/david-hammons/, 24 February, 2011.

“Arthur Danto: Artist,” artcritical https://artcritical.com/2011/01/01/danto-artist/, 1 January, 2011.

“The Art Museum Today,” Curator Volume 54 Number 2 April 2011: 181-89.

“Too absorbed by the future to bother about the past: Robert Rauschenberg,” artcritical https://artcritical.com/2011/03/23/rauschenber/, 23 March, 2011.

“Leo Steinberg, 1920-2011,” artcritical https://artcritical.com/2011/03/16/steinberg/, 16 March, 2011.

“Abstract Painting Under Wraps: David Hammons at L&M Arts,” artcritical https://artcritical.com/2011/02/24/david-hammons/, 24 February, 2011.

“Arthur Danto: Artist,” artcritical https://artcritical.com/2011/01/01/danto-artist/, 1 January, 2011.

“Trampling Images: Buddhist Art in a World Art History” ArtUs 31 (2011): 72-5.

“Proust’s In Search of Lost Time: The Comics Version,” The Art of Comics: A Philosophical Approach, eds. A. Meskin and R. Cook (Malden, MA: Blackwell, 2012 ): 188-202.

"How to misunderstand Chinese art: Seven Examples.” Subversive Strategies in Contemporary Chinese Art, eds. M. B. Wiseman and L. Yeudi (Leiden: Brill, 2011), 369-76.

“Baroque Rhetoric: The Methodology,” Performativity and Performance in Baroque Rome, eds. Peter Gillgren and Marten Snickare (Ashgate: 2011): 188-201.

“The Price of Beauty: Two novels set in the art market,” artcritical https://artcritical.com/2010/12/21/cunningham-martin/, 21 December, 2010.

“Strong on the Margins: AbEx New York at MoMA,” artcritical https://artcritical.com/2010/11/20/abstract-expressionist-new-york/, November 20, 2010.

“Public Art and Its Discontents. Julie Mehretu at Goldman Sachs,” artcritical https://artcritical.com/2010/11/07/public-art-julie-mehretu/, 7 November, 2010.

“Seeing the World Differently: Bill Berkson’s lectures on art and poetry,” artcritical https://artcritical.com/2010/10/04/bill-berkson/, 4 October, 2010.

“Transcending Suburbia: An exceptional show of Gary Stephan,” artcritical https://artcritical.com/2010/09/27/gary-stephan-2/, 27 September, 2010.

“Curved Forms, Out of the Loop: Portugal's Nadir Afonso,” artcritical https://artcritical.com/2010/08/23/nadir-afonso/, 23 August, 2010.

“Silently Still Among Us: The beauty of Bill Beckley,” artcritical https://artcritical.com/2010/07/04/silently-still-among-us-the-beauty-of-bill-beckley/, 4 July, 2010.

“Mysterious to the End: Andy Warhol's late work,” artcritical https://artcritical.com/2010/06/21/david-carrier-andy-warhol/, 21 June, 2010.

“Seeing Out Louder: Art Criticism 2003-2009 by Jerry Saltz,” artcritical https://artcritical.com/2010/03/11/david-carrier-on-jerry-saltz/, 11 March, 2010.

“Brian O’Doherty/Patrick Ireland: Between Categories by Brenda Moore-McCann,” artcritical https://artcritical.com/2010/02/04/brian-o%E2%80%99dohertypatrick-ireland-between-categories-by-brenda-moore-mccann/, 4 February, 2010.

“Brian Alfred: It’s Already the End of the World at Haunch of Venison,” artcritical https://artcritical.com/2010/02/11/david-carrier-on-brian-alfred/, 11 February, 2010.

“Diebenkorn Country The Ocean Park Series,” ArtUS 2010 (2): 84-91.

“A diary of Beijing life for Maria Morganti. Friday, March 6, 2009,” Maria Morganti, Un diario tira l’atro. Condivisione: One diary leads to another (Mantova: Publi Paolini, 2010): 53-4.

“Ernst Gombrich’s Account of Chinese Painting,” NCU Journal of Art Studies 6 2010.05: 1-30.

“Margaretha Rossholm Lagerlöf’s Poussin,“ Det askadliga och det bottenlosa: Tankar om konst och humaniora tillagnade Margaretha Rossholm Lagerlof (Stockholm: Stockholms universitet, 2010), 71-76. A Festschrift.

“The Coming Sinification of Western Art History,” What is Chinese Contemporary Art: The Collection of Essays of 2009 Beijing International Conference on Art Theory & Criticism (Beijing: 2009), 73-77.

“Nicolas Poussin’s Landscape with a Man Killed by a Snake,” Source XXVIII, 2 (Winter 2009): 33-38.

“Anthony Blunt’s Poussin,” Word & Image, 25, 4 (December 2009): 416-26

“Tiepolo Pink by Roberto Calasso,” artcritical https://artcritical.com/2009/12/01/tiepolo-pink-by-roberto-calasso/, 1 December, 2009.

“Pat Steir: Self-Portrait: Reprise 1987-2009 at the New York Studio School,” artcritical https://artcritical.com/2009/11/19/pat-steir-self-portrait-reprise-1987-2009-at-the-new-york-studio-school/, 19 November, 2009.

“Some Museums in China, Macau, and Taiwan,” Curator: The Museum Journal 52, 4 (October 2009): 375-84.

“Peter Halley Early Work: 1982 to 1987 at Mary Boone,” artcritical https://artcritical.com/2009/10/01/peter-halley-early-work-1982-to-1987-at-mary-boone/, 1 October, 2009.

“Yan Pei-Ming: Landscape of Childhood at the Ullens Center for Contemporary Art, Beijing,” artcritical https://artcritical.com/2009/09/01/yan-pei-ming-landscape-of-childhood-at-the-ullens-center-for-contemporary-art-beijing/, 1 September, 2009.

“Ann Stokes: Artists' Potter, edited by Tanya Harrod,” artcritical https://artcritical.com/2009/08/01/ann-stokes-artists%E2%80%99-potter-edited-by-tanya-harrod/, 1 August, 2009.

“The Poetics of the Art Museum,” Curator: The Museum Journal 52, 3 (July 2009): 221-28

“The Birth of Avant-Garde Art in New China by Karen Smith,” artcritical https://artcritical.com/2009/07/01/nine-lives-the-birth-of-avant-garde-art-in-new-china-by-karen-smith-and-ai-weiwei-by-karen-smith-hans-ulrich-obrisi-bernard-fibicher/, 1 July, 2009.

“Report from Berlin,” artcritical https://artcritical.com/2009/06/01/report-from-berlin/, June 1, 2009.

“Abstract Expressionism and the American Experience,” artcritical https://artcritical.com/2009/04/01/abstract-expressionism-and-the-american-experience-a-reevaluation-by-irving-sandler/, 1 April, 2009.

“The Third Mind: American Artists Contemplate Asia, 1860-1989 at the Solomon R. Guggenheim Museum,” artcritical https://artcritical.com/2009/03/23/the-third-mind-american-artists-contemplate-asia-1860-1989-at-the-solomon-r-guggenheim-museum/, 23 March, 2009.

“Terry Winters: Knotted Graphs at Matthew Marks Gallery,” artcritical https://artcritical.com/2009/02/06/terry-winters-knotted-graphs-at-matthew-marks-gallery/, 6 February, 2009.

“Jim Dine: Hot Dream (52 Books) at PaceWildenstein,” artcritical https://artcritical.com/2009/02/16/jim-dine-hot-dream-52-books-at-pacewildenstein/, 16 February, 2009.

“The Mapping Impulse and the Art of Nicolas Poussin,” Source XXVIII, 4 (Summer 2009): 47-51

"Poussin, a classical artist in a society of the Spectacle,” Source XXVIII, 4 (Summer 2009): 40-46

“Warhol, Danto and the End of Art History,” ArtUS 26 (2009): 92-97.

“Chinese Art, European Art, Art,” Stones from Other Mountains: Chinese Painting Studies in Postwar America, ed. Janon Kuo (Washington, DC: New Academia, 2009), 287-302

“Jean Louis Schefer: the Uses of Difficulty in Art History Writing,” Word & Image 25, 1(March 2009): 11-21

“Nicolas Poussin’s Theater of the World,” Kunsthistorisk Tidskrift, 77, 3 (September 2008): 162-71

“The Beautiful and the Sublime: Keith Christiansen’s Poussin,” on line, University of Tampa Journal of Art History, www.journal.utarts.com. August 2009

“Peter Saul and the History of Pop Art,” ArtUS, 24/24 (Fall-Winter, 2008): 51-59

“Old Masters, New World: America’s Raid on Europe’s Great Pictures by Cynthia Saltzman,” artcritical https://artcritical.com/2008/12/01/old-masters-new-world-america%E2%80%99s-raid-on-europe%E2%80%99s-great-pictures-by-cynthia-saltzman/, 1 December, 2008.

“Landscapes Clear and Radiant: The Art of Wang Hui at the Metropolitan Museum of Art,” artcritical https://artcritical.com/2008/12/14/landscapes-clear-and-radiant-the-art-of-wang-hui-at-the-metropolitan-museum-of-art/, 14 December, 2008.

“Julie Langsam at Frederieke Taylor,” artcritical https://artcritical.com/2008/12/08/julie-langsam-at-frederieke-taylor/, 8 December, 2008.

“Paintings in Proust: A Visual Companion to “In Search of Lost Time” by Eric Karpeles,” artcritical https://artcritical.com/2008/11/01/paintings-in-proust-a-visual-companion-to-%E2%80%9Cin-search-of-lost-time-by-eric-karpeles/, 1 November, 2008.

“Liza Lou at L&M Arts,” artcritical https://artcritical.com/2008/11/12/david-carrier-on-liza-lou/, 12 November, 2008.

“Antonie's Alphabet: Watteau and His World by Jed Perl,” artcritical https://artcritical.com/2008/11/12/david-carrier-on-jed-perl/, 12 November, 2008.

“Abstract Expressionism: A World Elsewhere curated by David Anfam at Haunch of Venison,” artcritical https://artcritical.com/2008/11/01/abstract-expressionism-a-world-elsewhere-curated-by-david-anfam-at-haunch-of-venison/, 1 November, 2008.

“Night,” artcritical https://artcritical.com/2008/10/05/night/, 5 October, 2008.

“Nick Miller: Truckscapes at the New York Studio School,” artcritical https://artcritical.com/2008/10/15/nick-miller-truckscapes-at-the-new-york-studio-school/, 15 October, 2008.

“Katya Mezhibovskaya: Access Excess,” artcritical https://artcritical.com/2008/09/07/katya-mezhibovskaya-access-excess/, September 7, 2008.

“Dara Friedman: Musical,” artcritical https://artcritical.com/2008/06/27/dara-friedman-musical/, 27 June, 2008.

“Art Power by Boris Groys,” artcritical https://artcritical.com/2008/05/01/art-power-by-boris-groys/, 1 May, 2008.

“Michael Podro (1931-2008),” artcritical https://artcritical.com/2008/04/01/michael-podro-1931-2008/, 1 April, 2008.

“Ruth Root,” artcritical https://artcritical.com/2008/03/30/ruth-root/, March 30, 2008.

“Andy Warhol’s Self-Portraits,” Andy Warhol by Andy Warhol (Skrs: Milan, 2008), 43-47

“Towards a Structuralist Analysis of Baroque Art,” Source, XXVII, 4 (Summer 2008) 32-36

“A Renaissance Fantasy Image of the Islamic World: Gentile and Giovanni Bellini’s Saint Mark Preaching in Alexandria (1504-7),” Source, XXVIII, 1 (Fall 2008): 16-9

“Indiscernibles and the Essence of Art: The Hegelian Turn in Arthur Danto’s Aesthetic Theory,” forthcoming in the Library of Living Philosopher volume devoted to Danto

“On the Carpet with Oleg Grabar,” ArtUS 21 (2008): 44-7

“Bob Jones University Gallery,” Curator 51, 1 (January 2008): 81-85

“Leonardo and Leonardo da Vinci,” Leonardo 41, 1 (2008): 36-8, introduction to special section I edited, with four essays

“The Art Historian as Art Critic: In Praise of Adrian Stokes,” The Coral Mind: Adrian Stokes’s Engagement with Architecture, Art History, Criticism, and Psychoanalysis, edited by Stephen Bann (Penn State Press 2007): 151-9

“Politically Incorrect Art,” ArtUS 20 (Winter 2007): 22-25

“Painting Then For Now; Fragments of Tiepolo at the Ca' Dolfin,” artcritical https://artcritical.com/2007/12/11/painting-then-for-now-fragments-of-tiepolo-at-the-ca-dolfin/, 11 December, 2007.

“Two Representations of Masaniello’s 1647 Revolt in Contemporary Neapolitan Paintings,” Source, XXVII, 1 (Fall 2007): 32-38

“L’estetica di Danto è davvero così generale come pretende di essere?,” Rivista di Estetica, 35 (2/2007): 45-66

“Deep Innovation and Mere Eccentricity in Islamic Art History,” Making Art History: A Changing Discipline and its Institutions, ed. Elizabeth Mansfield (New York: Routledge, 2007): 173-86

“Reply to my commentators,” the J. of Aesthetic Education 41, 2 (Summer 2007); 22-24. I reply to a Symposium: The Future of the Art Museum: Curatorial and Educational Perspectives

“Why Art Schools Matter,” in www.infinity2ban.com (Cleveland Institute of Art, October 2007)

“Why Art Critics Don’t Matter Anymore,” ArtUS 18 (May-June 2007); 30-32

“Why Curators Matter,” Cautionary Tales: Critical Curating, Eds. Seven Rand and Heather Kouris (New York: Apexart, 2007), 79-90

“Arthur Danto,” Art: Key Contemporary Thinkers, eds. D. Costello and J.P.Vickery (Oxford: Berg, 2007): 114-17

“War Rugs: Political Art from the Islamic World,” ArtUS, 16 (January-February 2007): 54-7

“What Happens When Art History Travels,” Is Art History Global? Ed J. Elkins (Routledge, 2007): 286-89

“High Times, Hard Times: New York Painting, 1967-1975,” artcritical https://artcritical.com/2006/10/01/high-timeshard-times-new-york-painting-1967-1975-curated-by-kathy-siegel-with-david-reed/, 1 October, 2006.

“Fashion Desire. Giorgio Armani’s Art Gallery,” ArtUS 14 (July-September 2006): 25-35

“The Political Art of Jacques-Louis David and his Modern Day American Successors,” Art History 26, 5 (November 2003): 730-51
Reprinted with revisions as “Was David a Revolutionary before the Revolution? Recent Political Readings of The Oath of the Horatii and The Lictors Returning to Brutus the Bodies of his Sons,” Jacques-Louis David: New Perspectives, ed. Dorothy Johnson (Newark: University of Delaware Press, 2006): 108-118

“Marcel’s Studio Visit with Elstir,” ArtUS, 9 (July- September 2005): 29-39

“Islamic Carpets in Christian Paintings: An Alternative Theory of the Origin of the Public Art Museum,” Source XXV, 1 (Fall 2005): 1-5

“The Art of Making Spectacles: A Short History of the Development of Painting from Matisse and Pollock to Manet,” Seeing and Beyond: Essays on Eighteenth- to Twenty-First-Century Art in Honor of Kermit S. Champa, Eds. Deborah J. Johnson and David Ogawa (New York: Peter Lang, 2005), 7-19

“Artforum, Andy Warhol and the Art of Living: What Art Educators can Learn from the recent history of American Art Writing,” J. of Aesthetic Education, 39, 1 (Spring 2005): 1-12
Republished J. of Aesthetic Education 39, 3 (Fall 2005): 114-20

“Seeing Cultural Conflicts,” ArtUS 4 (September-October 2004): 12-13

“The Beauty of Henri Matisse,” J. of Aesthetic Education 38, 2 (Summer 2004): 80-87
Contribution to a Survey: Which artists from the past decades still assert a great influence on the art of today?,” Tema Celeste 100 (November/December 2003) 58/64 (English/Italian)

“New York Art, Pittsburgh Art, Art,” J. of Aesthetic Education, 37, 3 (Fall 2003): 97-104

“The Aesthete in Pittsburgh: Public Sculpture in an Ordinary American City,” Leonardo 36, 1 (2003): 35-39

“Remembering the Past: Art Museums as Memory Theaters,” Journal of Aesthetics and Art Criticism, 61, 1 (Winter 2003): 61-5

“How We Make Art Now,” Tema Celeste 96 (March-April 2003): 40-45

“In Praise of Connoisseurship,” J. of Aesthetics and Art Criticism, 61:2 (Spring 2003): 159-69

“Introduction to The Quattro Cento,” Introduction to a republication of Adrian Stokes, Quattro Cento (University Park: Penn State Press, 2002): 1-12

“Why were there no public art museums in Renaissance Italy?,” Source, XXII, 1 (Fall 2002): 44-50

“Current Issues in Art History, Aesthetics, Visual Studies,” Art History, Aesthetics, Visual Studies, ed. M. A. Holly and K. Moxey (Williamstown, MA: Clark Art Institute, 2002): 251-59

“Deep Innovation and Mere Eccentricity: Six Case Studies of Innovation in Art History,” Art History and Its Institutions, ed Elizabeth Mansfield (Routledge, 2002)

“On art galleries,” Tema Celeste, 90 April 2002, 72

“Meditations on a scroll, or the Roots of Chinese Artistic Form,” Word & Image 18:1 (January-March 2002): 45-52